I had a great session with G today - first my reeds were good, and although he did take a bit off the tips I feel like I'm really getting them in the ballpark. Then when we were playing some Telemann duets (for pitch, which he said was really good too!) he pointed out I was using a stupid fingering for B-Bb (which is an awful trill). I just used the normal one, I know about the little plate you should hold down but I never manage to slide over for it while I'm sightreading. But he told me to hold down the Ab key and trill the A finger - wow!! Works great, is kinda like the Ab -Bb trill so it's easy to remember; and it sets you up perfectly for the naschlag at the end of the trill (lower neighbor, which is Ab in this case). YAY!!! I'm so excited I want to play the Mozart again just so I can nail that stupid trill (not really).
The third thing I was working on was my articulation - esp low notes, and I felt I made significant progress there also. I will play this etude (Singer IV, #10) again for him in two weeks, feeling really good about it.
Sunday Evening Music
12 hours ago