We had the sitzprobe yesterday - LONG rehearsal. Thought I really needed an easier reed to make it through! But mostly it sounded good - we just need to get more familiar with it. I can't believe Patty at oboeinsight was worried about missing one note in the whole opera; but that is the difference between a real professional and, well, me! I will get most of it right. Singers sound great, should be a good show. I can't wait to see costumes/set (only from backstage of course, as I will be stuck in the back of the pit for the actual show).
Speaking of the pit, this is the most people we have tried to cram in. There are 6 vlns, vla, cel, bass (big w/amp), 2 fl, ob, 2cl, bsn, 2 tpt, tbn, LOTS of percussion(3) and David conducting. At least he won't have a keyboard around him this year, that is insane. So 22 people. Only double is picc, and the clarinets have Bb and A. M (clar1) seems to think it won't be a big deal, she played for Kiss Me Kate and they had 13 but lots of doubles (she played 5 horns) and big percussion (just one guy though). I think it will be AWFUL, and they are miking so there will be all that stuff too. Will let you know after tomorrow.
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Do keep in mind I've played that opera many times! The technical stuff is just in my fingers. I'm trying to think of what else there is in it that might worry me. Hmmm. I mainly worry about the reeds lasting because I think of that opera as a reed eater!
The opera I just played was just so darn easy and NOT a reed eater. Great fun!
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